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THE AWISS DANCE – FOR SOLO BASS FLUTE

The world premiere performance was given on April 16, 2021, at West Virginia University’s Bloch Hall by Dustin White.
The Piece is included in the “RI Ra” album after winning the call for score by Dustin White for his album project.
Program note
“The Awiss Dance” Opus 13A, is a piece for solo bass flute, based on the traditional ancient Arabic rhythm called “Al Awiss”, consists of an 11/8 meter that gives the music a moving forward feeling, combined with one of the most expressive Arabic scales (Maqamat) called “Saba.
The piece used the bass flute as a melodic instrument to call the ancient Arab world, using some microtonal elements that come from the nature of Arabic maqam music and also used as a percussion instrument to introduce the Awiss rhythm and the camel dance spirit.
Starting with a “Mawwal”- a group of small improvised melodic phrases that Arabic singers used to start with it their performances – in which we can hear the flutist sing on the instrument while playing it. Then, moving along to introduce the rhythmic elements using some of the most percussive techniques on flute, and gradually adding the melodic elements, first with half sound half air (resembling the Arabic old instrument “Shabbaba” that is well known for its very breathy sound), then with full sound, in addition to the clear rhythmic accent that keeps the “Awiss” pulse alive.

What next?

  • Release of « A tribute to Wadeeh El Safi » for solo piano, with pianist Chantal Francis Menassa
  • Recording of « The Khosh Rank Dance » – Opus 13B – for Solo Cello, with Cellist Jana Semaan
  • Recording of « The Mouraba’ Dance » – Opus 13C – for Solo Viola, with Violist Noemi Chemali
  • Recording of the piece « A tune for Amer’s Horn » – Opus 10 – with Amr Slim on french horn, Makram Bou l Hosn on double bass, and Seba Ali on piano

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