THE MORABA’ DANCE (رقصة المربّع)


Honorable mention in Gardner composition competition by The American Viola Society, “The Mourba’ Dance” is a contemporary Arabic piece for solo viola written under the request form, and recorder and premiered by, the Lebanese-American violist Noemie Chemaly

“The Mouraba’ Dance” Opus 13C is a piece for solo Viola, based on the traditional ancient Arabic rhythm called ” Al Mouraba”, which was used in old Arabic tribes to make horses and camels dance by their Arab riders. The rhythm consists of a 13/4 meter that gives the music a moving forward feeling, combined with some of the most expressive Arabic scales (Maqamat).

The piece used the Viola as a melodic instrument to call the ancient Arab world, using some microtonal elements that come from the nature of Arabic maqam music, and also used it as a percussion instrument to introduce the rhythm and the camel dance spirit.

Starting with a “Mawwal”- a group of small improvised melodic phrases that Arabic singers used to start with it their performances – in which we can hear the Viola play freely in ad libitum tempo. Then, moving along to introduce the rhythmic elements using some of the most percussive techniques on Viola, and gradually adding the melodic elements, alternating between normal and harmonics (resembling the Arabic old instrument “Rababa” that is well known for its very breathy nasal sound), in addition to the clear rhythmic accent that keeps the ” Mouraba’ ” pulse alive.

Composed by Wajdi Abou Diab
Performed by Noemie Chemaly
Recorded at Skillman Music Studio
Sound engineer Mie Hirschfield

Published by wajdiaboudiab

Wajdi Abou Diab is a composer of classical contemporary music, musicologist, educator, and conductor who believes in music as a way to build our cultural future while keeping us connected to our cultural history.

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